By Robert Paul Lamb
A better half to American Fiction, 1865-1914 is a groundbreaking number of essays written via major critics for a large viewers of students, scholars, and basic readers.
- An exceedingly broad-ranging and obtainable Companion to the learn of yank fiction of the post-civil conflict interval and the early 20th century Brings jointly 29 essays by means of best students, each one of which offers a synthesis of the easiest learn and gives an unique viewpoint
- Divided into sections on ancient traditions and genres, contexts and issues, and significant authors
- Covers a mix of canonical and the non-canonical subject matters, authors, literatures, and significant methods
- Explores cutting edge issues, similar to ecological literature and ecocriticism, children’s literature, and the effect of Darwin on fiction
Chapter 1 The perform and promoting of yank Literary Realism (pages 15–34): Nancy Glazener
Chapter 2 pleasure and attention within the Romance culture (pages 35–52): William J. Scheick
Chapter three The Sentimental and household Traditions, 1865–1900 (pages 53–76): Gregg Camfield
Chapter four Morality, Modernity, and “Malarial Restlessness”: American Realism in its Anglo?European Contexts (pages 77–95): Winfried Fluck
Chapter five American Literary Naturalism (pages 96–118): Christophe Den Tandt
Chapter 6 American Regionalism: neighborhood colour, nationwide Literature, international Circuits (pages 119–139): June Howard
Chapter 7 ladies Authors and the Roots of yankee Modernism (pages 140–148): Linda Wagner?Martin
Chapter eight the quick tale and the Short?Story series, 1865–1914 (pages 149–174): J. Gerald Kennedy
Chapter nine Ecological Narrative and Nature Writing (pages 177–200): S. okay. Robisch
Chapter 10 “The Frontier Story”: The Violence of Literary historical past (pages 201–221): Christine Bold
Chapter eleven local American Narratives: Resistance and Survivance (pages 222–239): Gerald Vizenor
Chapter 12 Representing the Civil struggle and Reconstruction: From Uncle Tom to Uncle Remus (pages 240–259): Kathleen Diffley
Chapter thirteen Engendering the Canon: Women's Narratives, 1865–1914 (pages 260–278): Grace Farrell
Chapter 14 Confronting the quandary: African American Narratives (pages 279–295): Dickson D. Bruce
Chapter 15 Fiction's Many towns (pages 296–317): Sidney H. Bremer
Chapter sixteen Mapping the tradition of Abundance: Literary Narratives and patron tradition (pages 318–339): Sarah manner Sherman
Chapter 17 secrets and techniques of the Master's Deed field: Narrative and sophistication (pages 340–355): Christopher P. Wilson
Chapter 18 Ethnic Realism (pages 356–376): Robert M. Dowling
Chapter 19 Darwin, technology, and Narrative (pages 377–394): Bert Bender
Chapter 20 Writing within the “Vulgar Tongue”: legislation and American Narrative (pages 395–410): William E. Moddelmog
Chapter 21 making plans Utopia (pages 411–427): Thomas Peyser
Chapter 22 American kid's Narrative as Social feedback, 1865–1914 (pages 428–448): Gwen Athene Tarbox
Chapter 23 an concept of Order at harmony: Soul and Society within the brain of Louisa may perhaps Alcott (pages 451–467): John Matteson
Chapter 24 the US Can holiday Your middle: at the importance of Mark Twain (pages 468–498): Robert Paul Lamb
Chapter 25 William Dean Howells and the Bourgeois Quotidian: Affection, Skepticism, Disillusion (pages 499–517): Michael Anesko
Chapter 26 Henry James in a brand new Century (pages 518–535): John Carlos Rowe
Chapter 27 towards a Modernist Aesthetic: The Literary Legacy of Edith Wharton (pages 536–556): Candace Waid and Clare Colquitt
Chapter 28 Sensations of fashion: The Literary Realism of Stephen Crane (pages 557–571): William E. Cain
Chapter 29 Theodore Dreiser and the strength of the non-public (pages 572–585): Clare Virginia Eby
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Extra resources for A Companion to American Fiction 1865-1914
If realism is not understood as a genre or literary movement that any work could be securely ‘‘inside,’’ though, or as a reliable index of current value, then there is no need to identify a text as realist in order to argue that it is worth reading and studying. Indeed, sentimental fiction, protest fiction, utopian fiction, and other significant nineteenth-century genres deserve study as much as realism does – if not more, given the inordinate attention the traditional realist canon has received.
Like Watt, most critics have drawn their models of fully developed realism from nineteenth-century European fiction. In addition to Austen’s novels, mid- to late-century French and English novels – by Honore´ de Balzac, George Eliot, Gustave Flaubert, Stendhal, the Goncourt brothers, and Anthony Trollope – provide the bulk of examples for Anglophone critics, although realist works from many other European literatures also circulated in Great Britain and the United States. Because many of the novelistic techniques associated with realism predate realism’s official recognition and can be found across a range of fictional works, it is impossible to identify a date – or even a decade – when realism was invented.
Madison: University of Wisconsin Press. Franklin, Benjamin (1987). Autobiography. In Benjamin Franklin: Writings, ed. J. A. Leo LeMay, 1305–1469. New York: Literary Classics of the United States. Glazener, Nancy (1997). Reading for Realism: The History of a US Literary Institution, 1850–1910. Durham, NC: Duke University Press. 2005 11:28am Nancy Glazener Habermas, Ju¨rgen (1991). The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society, trans. Thomas Burger.