By Stephen Parkinson, Cláudia Pazos Alonso, T. F. Earle
This spouse quantity deals an advent to eu Portuguese literature for university-level readers. It includes a chronological assessment of Portuguese literature from the 12th century to the current day, by way of the most exotic literary students of contemporary years, supplemented by way of a examine of the heritage of translations of Portuguese literature, significant essays targeted on significant authors, genres or classes, and a wide bibliography. It doesn't try an encyclopaedic insurance of Portuguese literature, yet presents crucial chronological and bibliographical details on all significant authors and genres, with extra huge remedy of key works and literary figures, and a selected specialize in the trendy interval. it's unashamedly canonical instead of thematic in its exam of vital authors and sessions, with no neglecting lady writers. during this approach it presents simple reference fabrics for college kids starting the research of Portuguese literature, and for a much wider viewers trying to find common or particular info. The editors have made a principled determination to exclude either Brazilian and African literature, which can no longer were incorporated with enough prominence or intensity, and insist separate therapy.
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Additional info for A Companion to Portuguese Literature (Monografías A)
Essa que vós fezestes melhor parecer de quantas sei, ai Deus, fazede-mh-a veer; se non, dade-mh-a morte. Ai Deus, que mh-a fezestes mais ca min amar, mostrade-mh-a u possa con ela falar; se non, dade-mh a morte. The lady I love and call my Lady – Show her to me, God, if you please, and if not, just give me death. The one who’s the light of these eyes of mine, for whom they’re always weeping, show her to me, God, and if not, just give me death. That one that you made the most beautiful of all, oh God, please just let me see her, and if not, just give me death.
And, daughter, if you want my love, I ask you that you never talk with him Without me, oh lovely daughter. And there’s something else you’re not aware of: You lose every word you talk with him Without me, oh lovely daughter. In the poem preceding this one the girl has asked her mother for permission to go and see the boy. This speech-action is represented in a score of cantigas and seems one of the most fundamental ‘scripts’ (in the sense explained below). In this poem the mother warns her daughter not to speak with the boy without her.
You don’t care about my pain, and I die, and you just fuck Your woman. 23 CEM 207–8. THE MEDIEVAL GALICIAN-PORTUGUESE LYRIC 37 In the typical ‘courtly love’ poem, the singer woos a woman of a higher social class, typically the wife of a great lord, praising her virtues and lamenting her inaccessibility. Here Guilhade sings of the sexual desirability of the wife (or woman) of a man below him, a jograr or minstrel (Guilhade was a cavaleiro, or ‘knight’), pretending to maintain the pose of a wronged lover for whom his lady has no mercy.