By Alfred Bendixen, James Nagel
A significant other to the yankee brief Story strains the advance of this flexible literary style during the last two hundred years.
- Sets the fast tale in context, being attentive to the interplay of cultural forces and aesthetic ideas
- Contributes to the continuing redefinition of the yank canon, with shut awareness to the achievements of ladies writers in addition to such very important genres because the ghost tale and detective fiction
- Embraces various traditions together with African-American, Jewish-American, Latino, Native-American, and nearby brief tale writing
- Includes a piece fascinated with particular authors and texts, from Edgar Allen Poe to John Updike
Chapter 1 The Emergence and improvement of the yank brief tale (pages 1–19): Alfred Bendixen
Chapter 2 Poe and the yankee brief tale (pages 20–34): Benjamin F. Fisher
Chapter three A advisor to Melville's “Bartleby, the Scrivener” (pages 35–49): Steven T. Ryan
Chapter four in the direction of historical past and past: Hawthorne and the yank brief tale (pages 50–67): Alfred Bendixen
Chapter five Charles W. Chesnutt and the Fictions of a “New” the USA (pages 68–77): Charles Duncan
Chapter 6 Mark Twain and the yankee comedian brief tale (pages 78–90): David E. E. Sloane
Chapter 7 New England Local?Color Literature: A Colonial Formation (pages 91–104): Josephine Donovan
Chapter eight Charlotte Perkins Gilman and the Feminist culture of the yankee brief tale (pages 105–117): Martha J. Cutter
Chapter nine the fast tales of Edith Wharton (pages 118–132): Donna Campbell
Chapter 10 the quick tales of Stephen Crane (pages 133–151): Paul Sorrentino
Chapter eleven Kate Chopin (pages 152–170): Charlotte Rich
Chapter 12 Frank Norris and Jack London (pages 171–186): Jeanne Campbell Reesman
Chapter thirteen From “Water Drops” to basic moves: 19th? and Early Twentieth?Century brief Fiction and Social switch (pages 187–214): Andrew J. Furer
Chapter 14 the 20 th Century: A interval of Innovation and Continuity (pages 215–223): James Nagel
Chapter 15 The Hemingway tale (pages 224–243): George Monteiro
Chapter sixteen William Faulkner's brief tales (pages 244–255): Hugh Ruppersburg
Chapter 17 Katherine Anne Porter (pages 256–276): Ruth M. Alvarez
Chapter 18 Eudora Welty and the quick tale: thought and perform (pages 277–294): Ruth D. Weston
Chapter 19 the quick tales of F. Scott Fitzgerald: constitution, Narrative process, type (pages 295–315): Kirk Curnutt
Chapter 20 “The glance of the World”: Richard Wright on viewpoint (pages 316–327): Mikko Tuhkanen
Chapter 21 Small Planets: the fast Fiction of Saul Bellow (pages 328–344): Gloria L. Cronin
Chapter 22 John Updike (pages 345–365): Robert M. Luscher
Chapter 23 Raymond Carver within the Twenty?First Century (pages 366–379): Sandra Lee Kleppe
Chapter 24 Multi?Ethnic girl identification and Denise Chavez's The final of the Menu women (pages 380–388): Karen Weekes
Chapter 25 panorama as Haven in American Women's brief tales (pages 389–407): Leah B. Glasser
Chapter 26 the yankee Ghost tale (pages 408–424): Jeffrey Andrew Weinstock
Chapter 27 The Detective tale (pages 425–435): Catherine Ross Nickerson
Chapter 28 The Asian American brief tale (pages 436–449): Wenying Xu
Chapter 29 The Jewish American tale (pages 450–465): Andrew Furman
Chapter 30 The Multiethnic American brief tale (pages 466–481): Molly Crumpton Winter
Chapter 31 “Should I remain or should still I Go?” American Restlessness and the Short?Story Cycle (pages 482–501): Jeff Birkenstein
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Additional info for A Companion to the American Short Story
Fisher commendation. The overfed and intoxicated audience might, of course, have differed markedly in their evaluations of this and other equally fantastic stories. For example, “The Visionary” (the original title of the story more commonly known as “The Assignation”), might well have stirred controversy because of the mysterious Byronic lover. The varied biographical accounts of Lord Byron that had been appearing since his death not quite a decade before Poe’s story was published, brought forth divergent opinions, and “The Assignation” presents an imaginative conclusion to the Byronic character’s life that is far more sensational than Lord Byron’s inglorious death.
Cambridge, MA: Belknap Press of Harvard University Press. 1978. ———. ” The Collected Works of Edgar Allan Poe, vol. 2. Ed. Thomas Ollive Mabbott, with the assistance of Eleanor D. Kewer and Maureen Cobb Mabbott. Cambridge, MA: Belknap Press of Harvard University Press. 1978. ———. ’ ” Sewanee Review 36 (1928): 171–6. ———. ” Notes & Queries 98 (December 1953): 542–3. ———. ” Books at Iowa 19 (November 1973): 3–7, 17. Murch, Alma E. The Development of the Detective Novel. Rev. edn. London: Peter Owen, 1968.
The Province of Piety: Moral History in Hawthorne’s Early Tales. Cambridge, MA: Harvard University Press, 1984. Current-Garcia, Eugene. The American Short Story Before 1850: A Critical History. Boston: Twayne, 1985. Hedges, William. Washington Irving: An American Study 1802–1831. Baltimore: Johns Hopkins University Press, 1965. Fetterley, Judith. Provisions: A Reader from 19thCentury American Women. Bloomington: Indiana University Press, 1985. Fetterley, Judith, and Marjorie Pryse. Writing Out of Place: Regionalism, Women, and American Literary Culture.