By Eric Hope
While I observed this "pamphlet" (hardly justifies being known as a e-book) ranging in fee from approximately $22 to $40+ being provided from Amazon, i used to be awaiting whatever priceless of that top cost. whilst I ordered it, i assumed it might be a fairly large publication, full of precious info, and that i anticipated that i might be going in go back what I paid for it. What a tremendous surprise and sadness I received whilst the e-book arrived! i would not name it a publication yet quite a skinny pamphlet of in basic terms seventy two pages (the first web page starts on web page nine . . . so truly, there is basically sixty three pages). I learn via it solely in lower than forty five mins (average examining speed). there has been little or no priceless info during this pamphlet, such a lot of that is abundantly to be had in different books. If I had the chance to preview this pamphlet earlier than procuring it, i'd have anticipated to pay just a couple of cash for it. yet, on the cost I paid for it ($26.45), it's an "OUTRAGEOUS RIPOFF". CAVEAT EMPTOR (buyer beware).
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Additional info for A Handbook Of Piano Playing
0 note and a note of accompaniment have to be played together, the problem is that of making the former sound with a greater amount of tone than the latter. Since we have said that tone quantity depends solely upon the speed with which the key travels downwards, it would appear that When a melody we must move fairly quickly (at the beginning of the and the E less quickly first bar) the G sharp and yet make both keys arrive at their beds simultaneously. An impossible feat, you may say, and to attempt consciously to control such a combination of movements in the course of performance would indeed be hazardous.
It has already been shown that the learning of physical movements is fundamentally a mental process, and even the practice of technical exercises should never be undertaken without a clear mental picture of the actions to be performed. Knowledge, concentration, and constant analysis of the physical sensations which accompany the various movements and muscular conditions of the parts of the body used in and technique built up in this way will possess a permanency and reliability unobtainable by other playing, are essential; methods.
Press down with one finger, at the same time moving your wrist freely up and down, or Now from side to side, or with a circular motion; the direction does not matter so long as real freedom of movement is observed. The elbow and the shoulder will, of course, move too, with equal freedom and with a feeling of lightness. Keep the arm moving and increase the pressure of the finger so that, in its tip sinking deeply into the table. imagination, you feel this, using each finger in turn, and then with combinations of fingers.