By Bret Anthony Johnston, Melissa Pritchard
Poets & Writers “Best Books for Writers" selection
Publishers Weekly “Top 10: Literary Biographies, Essays & Criticism"
In an essay entitled “Spirit and Vision" Melissa Pritchard poses the query: “Why write?" Her resolution reverberates all through A Solemn excitement, offering an indisputable case for either the ability of language and the nurturing fidelity of the writing lifestyles. no matter if describing the deeply inside ingenious existence required to jot down fiction, trying to find the misplaced legacy of yankee literature as embodied through Walt Whitman, being embedded with a tender girl GI in Afghanistan, touring with Ethiopian tribes, or revealing the heartrending tale of her informally followed son William, a former Sudanese baby slave, this is often nonfiction vividly engaged with the area. In those fifteen essays, Pritchard stocks her ardour for writing and storytelling that educates, honors, and inspires.
Melissa Pritchard is the writer of, such a lot lately, the radical Palmerino and the fast tale assortment The Odditorium. Her books have obtained the Flannery O'Connor, Janet Heidinger Kafka, and Carl Sandburg awards and of her brief fiction collections have been long island instances extraordinary booklet and Editors' selection choices. Pritchard has labored as a journalist in Afghanistan, India, and Ethiopia, and her nonfiction has seemed in numerous guides, together with O, The Oprah journal, Arrive, Chicago Tribune, and Wilson Quarterly. She lives in Phoenix, Arizona.
Read or Download A Solemn Pleasure: To Imagine, Witness, and Write (The Art of the Essay Series) PDF
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Additional info for A Solemn Pleasure: To Imagine, Witness, and Write (The Art of the Essay Series)
Scruton claims, perhaps rightly, that no serious angler deliberately hurts a ﬁsh – any The Animal in Some Contemporary Thought 37 more than necessary! – and so cannot be the victim of moral condemnation. It is true that there is a difference between wanton cruelty and angling, but that is a human perception: we cannot ask a ﬁsh. Scruton also points out that ﬁeld sports help protect the environment. This may also be true but, in a different but related context, I doubt if a whale really cares if it is eaten in a Faroese village or a Tokyo restaurant.
On the other, it acts as a committed analysis of the ways in which humanity has exploited and killed its companions on this planet. It is with this latter aspect that I will deal ﬁrst and in a largely descriptive and very brief manner. This is because, to some extent, what Singer has to say has become the common knowledge of most westerners. Of course, part of the reason why such concerns are today commonplace is precisely the permeation of Singer’s intervention into the common pool of opinion and information.
I shall also be examining a small group of historical works that, over the last 35 years or so, have helped to create a climate in which speculation on the relationship between humans and non-humans is a respectable, if not mainstream, activity within the academic world. It is, of course, the case that a concern for animals is by no means limited to philosophers and critics. Indeed, one of the chief things that motivated me to write this book now was precisely what seemed to me to be the discrepancy between the huge public interest in animal matters and the relative lack of a corresponding discourse in academia.